The later Georgian dinner
table was by 1800 very colourful with its porcelain hand painted dinner service
and mirror plateaux. These had become very fashionable by the mid 18th
Century. Starting out with elaborate 'parterres' (formal garden patterns) made
of marizpan, coloured sugar or sand and decorated with white sugar paste
figures and moving on as the century progressed to elaborate tableaux featuring
cottages, temples and landscapes in barley sugar, sugar paste or
wax. Then moving from sugar paste, early figurines were made in
biscuit (unglazed white) porcelain, before long these gave way to coloured
decorated porcelain coming from famous factories, both in England
and abroad, including Minton, Sevres and Meissen.
This type of centrepeice
not only reflected light from the table candles but held small individual
sweetmeat dishes in silver or decorated china for each guest and small bowls of
flowers sometimes fresh, some in wax or sugar paste, these later evolved into
the small ceramic posy bowls which eventually, along with the china figurines,
moved from the table to Victorian mantlepieces and 'What nots' when the table
fashion moved on to larger central flower arrangements for upper class
dining.
Although the
elaborate centre decorations were still popular for grand Royal dinners and
State Occasions, one plateaux used by the Prince of Wales in 1811 ran the
whole length of the tables set for 200 people and in 1817 at a banquet
again for the Prince Regent, the famous French Chef Careme created a "Tableaux
en Plateaux" which included the ruins of Antioch, a Syrian Hermitage, a Turkish
Mosque and a Chinese Hermitage, using a variety of materials to construct these
pieces from lumps of lard to spun sugar.
Visit our other miniature websites
|